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Barns-Graham, W. ; Cardew, Michael ; Frost, Terry ; Gabo, Naum ; Haughton, David ; Hayman, Patrick ; Hepworth, Barbara ; Heron, Patrick ; Hilton, Roger ; Jewels, Mary ; Lanyon, Peter ; Law, Bob ; Leach, Bernard ; Leach, Janet ; Mellis, Margaret ; Mitchell, Denis ; Nicholson, Ben ; Pearce, Bryan ; Quick, Kenneth ; Scott, William ; Shoji, Hamada ; Wall, Brian ; Wallis, Alfred ; Wells, John ; Weschke, Karl ; Wood, Christopher ; Wynter, Bryan
Sculpture --- Painting --- Art styles --- Applied arts. Arts and crafts --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- anno 1930-1939 --- St Ives --- Art, English --- Art anglais --- Exhibitions --- Expositions --- Exhibitions.
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Art deco --- Decoration and ornament --- Art déco --- Décoration et ornement --- art deco --- 1925 --- Art déco --- Décoration et ornement --- Art Deco --- Art styles --- anno 1920-1929 --- anno 1930-1939
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Palestinian Arabs --- World War, 1939-1945 --- Palestiniens --- 2ème guerre mondiale --- Economic conditions --- Economic aspects --- Conditions économiques --- Aspect économique --- Palestine --- History of Asia --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Israel --- Palestina
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The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.
Experimental films --- Cities and towns in motion pictures. --- Films expérimentaux --- Villes au cinéma --- History and criticism. --- Histoire et critique --- City symphonies (Motion pictures). --- Experimental films. --- Film --- film [performing arts] --- anno 1920-1929 --- anno 1930-1939 --- film [discipline]
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British realist art of the 1920s and 1930s is visually stunning - strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterised by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud's early work can be seen as a realist coda which continued into the 1940s and beyond. Exhibition: Scottish National Gallery of Modern Art, Edinburgh, Scotland (01.07. - 29.10.2017).
Art styles --- Painting --- realism [artistic form of expression] --- easel paintings [paintings by form] --- anno 1920-1929 --- anno 1930-1939 --- United Kingdom --- Painting, British --- Realism in art --- Painting, British. --- Realism in art. --- Figurenmalerei. --- Malerei. --- Realismus. --- 1900-1999 --- Groebritannien.
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overzicht --- geschiedenis --- strafrecht --- België [land - BE] --- parlementair debat (x) --- parlementsleden (x) --- 343.53 <493> --- 343.2 <493> --- Criminal law. Criminal procedure --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Belgium --- E-books --- DROIT PENAL --- HISTOIRE --- HISTOIRE PARLEMENTAIRE --- PHILOSOPHIE PENALE --- CRIMINOLOGIE
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Film --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Germany --- Motion pictures --- Silent films --- Cinéma --- Films muets --- History --- History and criticism. --- Histoire --- Histoire et critique --- #SBIB:309H1320 --- Moving pictures, Silent --- Silent motion pictures --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Cinéma --- History and criticism
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La régularité des phénomènes de la nature, l'existence d'une répétitivité périodique, cyclique, d'une rythmicité, tout cela est devenu la base de l'élaboration, par Waclaw Szpakowski, d'un système de consignations graphiques de l'infinitude de la ligne, d'un système doté de traits de variabilité et de stabilité pris à la nature. Qunad on parcourt les pages des carnets de l'artiste, on trouve une quantité de notes à côté de systèmes hétérogènes de lignes géométriques.
Drawing --- drawing [image-making] --- Art styles --- Constructivist --- Szpakowski, W. --- anno 1930-1939 --- anno 1900-1999 --- anno 1920-1929 --- Poland --- Szpakowski, Waclaw --- Géométrie --- Rythme --- Waclaw Karol Szpakowski 1883-1973 (°Warschau, Polen) --- Tekenkunst ; 20ste eeuw ; Waclaw Szpakowski --- 741.038 --- 741.07 --- (069) --- Tekenkunst ; 1950 - 2000 --- Tekenkunst ; tekenkunstenaars A - Z --- (Musea. Collecties) --- 20e eeuw --- 700.4 --- 705.8 --- Atelier 340 --- kunst --- schilderkunst --- tekenkunst --- beeldende kunst, musea - tentoonstellingen --- kunstgeschiedenis, 20e eeuw --- Drawing, Polish --- Szpakowski, Wacław, --- Art --- Geometrical drawing
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Materials processing --- Advertising. Public relations --- reclamevormgeving --- illustraties --- behangpapier --- illustrations [layout features] --- verpakkingspapier --- Art --- anno 1930-1939 --- Grafische vormgeving ; reclame ; 1930-40 --- Illustraties --- Decoratieve tekeningen --- Grafische vormgeving ; reclame ; verpakkingen --- Oriëntalisme ; invloeden --- Kubisme --- Modernisme --- Behangpapier --- Kunst ; jaren 30 --- 766.037 --- Gebruiksgrafiek ; 1900 - 1950 --- advertisements --- commercial art --- geometric patterns --- patterns [design elements] --- Commercial art --- Repetitive patterns (Decorative arts) --- Decoration and ornament --- 766.32.037 --- Grafische industrie en ontwerp ; beeld ; illustratie ; geschiedenis ; 1900 - 1950
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Motion pictures, German --- #SBIB:309H1320 --- German motion pictures --- Foreign films --- Influence --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History of civilization --- Film --- anno 1940-1949 --- anno 1930-1939 --- Germany --- 791.43 --- Duitsland --- Edited by Roel Vande Winkel and David Welch --- film --- film en politiek --- film en propaganda --- Goebbels Joseph --- Nazisme --- twintigste eeuw --- Wereldoorlog II --- Cinéma allemand à l'étranger --- Influence. --- Motion pictures, German - Foreign countries --- Motion pictures, German - Foreign countries - Influence
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